FULL SCORE
C A R L
F I S C H E R
First Plus Band S E R I E S
Grade 2
Aline March
Harold Bennett
Arranged by
Larry Clark FPS68 INSTRUMENTATION Full Score . . . . . . . . . . . . . . . . . . . . . . . 1 Flute . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Oboe (opt. Flute 2) . . . . . . . . . . . . . . . 2 Clarinet 1 in B≤ . . . . . . . . . . . . . . . . . . . 4 Clarinet 2 in B≤ . . . . . . . . . . . . . . . . . . . 4 Bass Clarinet in B≤ . . . . . . . . . . . . . . . . 2 Alto Saxophone in E≤ . . . . . . . . . . . . . 5 Tenor Saxophone in B≤ . . . . . . . . . . . . 2 Baritone Saxophone in E≤ . . . . . . . . . 2 Trumpet 1 in B≤. . . . . . . . . . . . . . . . . . . 4 Trumpet 2 in B≤. . . . . . . . . . . . . . . . . . . 4 Horn in F . . . . . . . . . . . . . . . . . . . . . . . . 4 Trombone, Baritone B.C., Bassoon . . 6 Baritone T.C. in B≤ . . . . . . . . . . . . . . . . 2 Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Mallet Percussion . . . . . . . . . . . . . . . . 1 Bells
Timpani. . . . . . . . . . . . . . . . . . . . . . . . . 1 Percussion 1 . . . . . . . . . . . . . . . . . . . . . 2 Snare Drum, Bass Drum
Percussion 2 . . . . . . . . . . . . . . . . . . . . . 2 Crash Cymbals, Triangle
2
Program Notes Aline is the tenth Harold Bennett (aka Henry Fillmore) march that I have arranged. It has been my endeavor over the past nine years to breathe new life into these delightful little marches. Fillmore was a master of the march form, and his tunes are just as masterful. This particular march is from the famous Bennett Band Book No. 4. It is ideal for teaching younger students the march style and form. Like most of the Bennett marches there is no “break strain,” but there is the standard modulation to the subdominant at the Trio. All that I have done with this march is to edit the instrumentation to better fit the needs of today’s young bands. The march is in its original keys. I have also indicated some options for thinning out the orchestration at the Trio the first time. These are only suggestions and should be altered to fit your needs and musical tastes. Keep in mind that Fillmore never played his marches the same way twice. It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program. —LARRY CLARK Lakeland, FL 2008
About the Arranger Larry Clark (b. 1963) is Vice President for Carl Fischer, LLC in New York. At Carl Fischer he serves as the editor and chief and coordinates all of Carl Fischer’s publishing in all genres of music. Prior to this appointment he served as an Instrumental Music Editor for Warner Bros. Publications in Miami. His diverse background includes serving as the Director of Bands at Syracuse University and considerable public school teaching in the state of Florida. Larry is well known as a composer and arranger of music for band and orchestra. His pieces have been performed internationally and appear on numerous contest/festival performance required music lists. He is an ASCAP award-winning composer, has over 150 publications in print and is in demand to write commissions for bands and orchestras across the country. He holds a Bachelors Degree in Music Education from Florida State University and Masters Degrees in Conducting and Composition from James Madison University in Virginia
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Aline
Full Score
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Copyright © 1937 by Fillmore Bros. Co. Copyright renewed. All rights assigned to Carl Fischer, LLC This arrangement Copyright © 2007 by Carl Fischer, LLC International Copyright Secured. All rights reserved including performing rights. WARNING! This composition is protected by Copyright law. To photocopy or reproduce by any method is an infringement of the Copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement.
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HAROLD BENNETT Arranged by Larry Clark
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To Diane Hendry and the Hampton Elementary School Band in memory of Marian Jean Compello
Full Score
Latin Smiles
4 7
JOSEPH COMPELLO Fl.
Lively ( = c.120-132) Flute
Ob. (Fl. 2)
cresc.
Oboe (Opt. Flute 2) cresc.
1
1
Cl. in B
cresc.
Clarinet in B
2
2 cresc.
Bass Clarinet in B
B. Cl. in B
cresc.
Alto Saxophone in E
A. Sax. in E
cresc.
Tenor Saxophone in B
cresc.
Baritone Saxophone in E
T. Sax. in B
cresc.
Bar. Sax. in E
Lively ( = c.120-132) 1
7
cresc.
Trumpet in B
1
2 cresc.
Tpt. in B 2
Horn in F cresc.
Trombone, Baritone, Bassoon
Hn. in F cresc.
Tbn., Bar., Bsn.
Tuba cresc. Bells
Mallet Percussion
(Snare Drum, Bass Drum)
Tuba cresc. S.D.
Mall. Perc.
1 B.D.
solo
solo
(Guiro, Claves)
Percussion
(Tambourine, Maracas, Sus. Cym.)
2
1
3
Perc. 2
Guiro
1
FPS65F
2
3
4
Copyright © 2008 by Carl Fischer, LLC International Copyright Secured. All rights reserved including performing rights. WARNING! This composition is protected by Copyright law. To photocopy or reproduce by any method is an infringement of the Copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement. Printed in the U.S.A.
5
Claves
6
3 7
Maracas only
8
9
10
11
12
FPS65F
The Carl Fischer Performance Series for Band has five performance levels to provide you with a highly focused repertoire for your band. Each level has been carefully designed and graded, within specific guidelines, so that each piece in a level will work with your band when it achieves that level. Each level is also color coded for ease in finding the series that will be appropriate for your band, as it develops. Within each grade level, you will find selections in a variety of styles and genres designed to meet all of your performance and teaching needs. The Carl Fischer composers and arrangers are some of the most respected writers in the business. Their music is dynamic, fresh and eminently worthy of your attention.
First Plus Performance Series • Playable at the end of most 1st year method books • For developing bands • Limited instrumentation with the addition of Clarinet 2 and Trumpet 2 • Bass still covered by any low brass or low woodwind instrument • More eighth notes • Clarinet 1 begins playing above the break • Active percussion writing • Short pieces - length is a consideration
65 Bleecker Street, New York, NY 10012 www.carlfischer.com
UPC
ISBN 0-8258-6815-7
FPS68 — $50.00 Set FPS68F — $8.00 Full Score FPS68P — $3.00 Parts
